Once the stock is sold out, backorders will be available for a limited time only, so get in quick to secure your order! Backorders will be fulfilled 12-14 weeks from the date of purchase. Proceeds support The Long Walk's 'Walk The Talk' program for Australian primary and secondary students, introducing Indigenous culture and history in schools across Australia.They were designed by Kangaroo Jack in collaboration with the AFL, Sherrin, Essendon Football Club, and The Long Walk.Michael Long mural artwork by Australian Non-Indigenous street artist Kevin Gold from Melbourne, Victoria.Authentic Indigenous Australian artwork by Western Arrernte Dessert artist Merryn Apma Daley.Limited edition collectors box available for purchase.Recreational quality is suitable for grass surfaces only.Size 5 (Limited Edition Game Ball Size).Official AFL / Essendon Football Club Licensed Product.Official Sherrin Australian Rules Football.I am Saroo Brierley.Official AFL Michael Long Sherrin Football “I now have two families, not two identities. “I am not conflicted about who I am or where to call home,” he wrote.
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The narrative ramps up into deeply emotional territory as Brierley recounts the series of events that led him back to his Indian family, an experience that culminated in one emotional meeting after another and gave him a perspective on his past that gained him a new sense of peace. The remarkable outcome spurred by his determination to find his way home again could have only succeeded in the modern world, for without Google Earth, his story most certainly would have turned out differently. His eventual adoption by a loving Australian family ends the first chapter of his extraordinary story, but the gripping nature of the narrative does not stop there for Brierley never abandoned the idea that his birth mother was still out there somewhere in India, and he longed for answers.
“The home I’d lost felt farther away with each bite of food that I foraged,” he wrote. As time passed, so too did the hope of reuniting with his family.
With the resiliency of a child, he learned the places to avoid and where to linger. The longer he lived on the streets, the more that life became normal. His perilous situation lasted months, and sheer luck and the kindness of a handful of strangers saved him from the myriad fates that claim countless forgotten children. The reader is transported to the terrifying bigness of the world that he inhabited as a lost little boy. Uneducated and unable to read, he did not know the name of his hometown, let alone the station from which he began this terrifying journey.īrierley writes of this time with honesty and expressiveness. Showing an astounding amount of resourcefulness for his age, he made a conscious decision to solve his problem by living off the abundance of trash and systematically boarded trains that left the hub of the city’s central station in the hopes of chancing onto one that would take him home.īut therein lay the crux of his problem. For him, “It felt as if the people in the station weren’t people at all but a great solid mass, like a river or the sky, on which (he) could make no impact.” Invisible, he was simply another child devoured by the city. He had been trained, as many poor children in India were, to avoid authority figures - for they had always led to trouble. Shock overwhelmed him and his mind went numb as he sat in that bustling train station. He was barefoot, penniless and desperately hungry and thirsty.
However, it is set in the real world, a place where wonderment and miraculous occurrences can often seem wanting.īrierley’s story spans three decades, from his earliest years in India as a boy living in poverty, but rich in his mother’s and his three siblings’ love, to his life of comfort and affluence in Australia with adoptive parents and a brother.Īt that moment, the boy was swept away from everything he had ever known to Calcutta, “the sprawling mega-city famous for its overpopulation, pollution, and crushing poverty - one of the most dangerous cities in the world.” It comes in the classic sense of a happy ending, for the journey of the author, both as a boy and then again as a young man, evokes the audacity of a fable. There is a real feeling of catharsis when reading Brierley’s astounding narrative.
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Luckily for readers - and moviegoers - there is just such a tale in Saroo Brierley’s memoir “A Long Way Home,” which served as the basis for the acclaimed 2016 movie “Lion,” starring Dev Patel. Every once in awhile, a story comes along that seems too remarkable to be true, tying together a miraculous sequence of events that once would have been ready fodder for Oprah Winfrey in her talk show days.